Fogtown Postcards

A postcard set front and back from one foggy street-lamp photo, with a distilled lamp illustration inside the stamp frame.

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Front and back of a Fogtown postcard set made from a foggy street-lamp photograph.

Start with this prompt

A postcard set front and back from one foggy street-lamp photo, with a distilled lamp illustration inside the stamp frame.

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Using this photo of a street lamp in fog, design the front and back of a postcard set, laid out side by side on an off-white background. The two cards may carry a very light grounding shadow, as if real paper goods were photographed on a tabletop.

On the front, run the photo full-bleed, adding only a tiny fictional place name "Fogtown" in a corner with a matching line of small text. The back follows the classic postcard structure: a vertical divider line in the middle; the left half keeps the writing area with two or three short lines that read like a half-written message from the sender; the right half holds three address lines, with a stamp frame reserved in the top right corner. Inside the stamp frame, do not repeat the photo — place a minimal street-lamp illustration distilled from the original image, with a perforated stamp edge.

The whole set draws its colors only from the photo: teal gray, off-white, and a little dark blue. Do not use ornate typefaces.

Rename the town

Changes the fictional place name from Fogtown to Mistharbor, keeping the rest.

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Using this photo of a street lamp in fog, design the front and back of a postcard set, laid out side by side on an off-white background. The two cards may carry a very light grounding shadow, as if real paper goods were photographed on a tabletop.

On the front, run the photo full-bleed, adding only a tiny fictional place name "Fogtown" in a corner with a matching line of small text. The back follows the classic postcard structure: a vertical divider line in the middle; the left half keeps the writing area with two or three short lines that read like a half-written message from the sender; the right half holds three address lines, with a stamp frame reserved in the top right corner. Inside the stamp frame, do not repeat the photo — place a minimal street-lamp illustration distilled from the original image, with a perforated stamp edge.

The whole set draws its colors only from the photo: teal gray, off-white, and a little dark blue. Do not use ornate typefaces.

Add an address line

Changes the back from three address lines to four, keeping the rest.

Try Kimi Design

Using this photo of a street lamp in fog, design the front and back of a postcard set, laid out side by side on an off-white background. The two cards may carry a very light grounding shadow, as if real paper goods were photographed on a tabletop.

On the front, run the photo full-bleed, adding only a tiny fictional place name "Fogtown" in a corner with a matching line of small text. The back follows the classic postcard structure: a vertical divider line in the middle; the left half keeps the writing area with two or three short lines that read like a half-written message from the sender; the right half holds three address lines, with a stamp frame reserved in the top right corner. Inside the stamp frame, do not repeat the photo — place a minimal street-lamp illustration distilled from the original image, with a perforated stamp edge.

The whole set draws its colors only from the photo: teal gray, off-white, and a little dark blue. Do not use ornate typefaces.

Gray the tabletop

Changes the backing surface from off-white to pale gray, keeping the rest.

Try Kimi Design

Using this photo of a street lamp in fog, design the front and back of a postcard set, laid out side by side on an off-white background. The two cards may carry a very light grounding shadow, as if real paper goods were photographed on a tabletop.

On the front, run the photo full-bleed, adding only a tiny fictional place name "Fogtown" in a corner with a matching line of small text. The back follows the classic postcard structure: a vertical divider line in the middle; the left half keeps the writing area with two or three short lines that read like a half-written message from the sender; the right half holds three address lines, with a stamp frame reserved in the top right corner. Inside the stamp frame, do not repeat the photo — place a minimal street-lamp illustration distilled from the original image, with a perforated stamp edge.

The whole set draws its colors only from the photo: teal gray, off-white, and a little dark blue. Do not use ornate typefaces.