A spiral timeline from a twelve-signature charter to digitization: ninety years of photography at Fondazione Lume.
A spiral timeline from a twelve-signature charter to digitization: ninety years of photography at Fondazione Lume.
Try Websites AgentBuild a full-screen chronicle page for a photography archive, Fondazione Lume's Ninety Years of Photography: a spiral timeline glides from the founding to the present — the charter signed by twelve people in the room above a bookshop, the first travelling exhibition with forty prints packed into two wooden crates and sent by train to five city halls, a donor who arrives with three hundred after-dark negatives and stays to catalog them by hand, the studio archive that doubles the collection overnight, the first Silver Lens award, the Saturday school of seeing, a valley series shot over three summers until the valley sank beneath a reservoir, and the ongoing digitization that opens the holdings to everyone. Every node pairs a photograph from the collection with an archive reading that tells the story behind it, all set on beige paper with a fine spiral line and restrained whitespace. Single-file static page.
Adds a decade search for the collection, so visitors can jump straight to a period instead of gliding the whole spiral; every node keeps its photograph and archive reading.
Try Websites AgentBuild a full-screen chronicle page for a photography archive, Fondazione Lume's Ninety Years of Photography: a spiral timeline glides from the founding to the present — the charter signed by twelve people in the room above a bookshop, the first travelling exhibition with forty prints packed into two wooden crates and sent by train to five city halls, a donor who arrives with three hundred after-dark negatives and stays to catalog them by hand, the studio archive that doubles the collection overnight, the first Silver Lens award, the Saturday school of seeing, a valley series shot over three summers until the valley sank beneath a reservoir, and the ongoing digitization that opens the holdings to everyone. Every node pairs a photograph from the collection with an archive reading that tells the story behind it, all set on beige paper with a fine spiral line and restrained whitespace. Single-file static page.
Swaps the beige paper for dark gallery walls, while the fine spiral line, the timeline structure, and the restrained whitespace stay exactly as they were.
Try Websites AgentBuild a full-screen chronicle page for a photography archive, Fondazione Lume's Ninety Years of Photography: a spiral timeline glides from the founding to the present — the charter signed by twelve people in the room above a bookshop, the first travelling exhibition with forty prints packed into two wooden crates and sent by train to five city halls, a donor who arrives with three hundred after-dark negatives and stays to catalog them by hand, the studio archive that doubles the collection overnight, the first Silver Lens award, the Saturday school of seeing, a valley series shot over three summers until the valley sank beneath a reservoir, and the ongoing digitization that opens the holdings to everyone. Every node pairs a photograph from the collection with an archive reading that tells the story behind it, all set on beige paper with a fine spiral line and restrained whitespace. Single-file static page.
Appends reading-room opening hours and instructions for requesting materials after the digitization chapter, turning the chronicle into a practical invitation to visit.
Try Websites AgentBuild a full-screen chronicle page for a photography archive, Fondazione Lume's Ninety Years of Photography: a spiral timeline glides from the founding to the present — the charter signed by twelve people in the room above a bookshop, the first travelling exhibition with forty prints packed into two wooden crates and sent by train to five city halls, a donor who arrives with three hundred after-dark negatives and stays to catalog them by hand, the studio archive that doubles the collection overnight, the first Silver Lens award, the Saturday school of seeing, a valley series shot over three summers until the valley sank beneath a reservoir, and the ongoing digitization that opens the holdings to everyone. Every node pairs a photograph from the collection with an archive reading that tells the story behind it, all set on beige paper with a fine spiral line and restrained whitespace. Single-file static page.