Virginia Woolf: The Waves

A deep-red 3D room housing a Virginia Woolf memorial exhibition — her novels, the Hogarth Press, and Bloomsbury.

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A deep-red 3D room housing a Virginia Woolf memorial exhibition — her novels, the Hogarth Press, and Bloomsbury.

Build a Virginia Woolf memorial exhibition called Woolf's Room: a deep-red 3D room hung with her portraits and paintings, dimly lit like a gallery after hours. A special Waves exhibition displays Mrs Dalloway (a whole life written into a single day, psychological time replacing clock time), To the Lighthouse (in three parts — The Window, Time Passes, and The Lighthouse — the flash from the tower as Mrs Ramsay's spirit-light), The Waves (six voices rising and falling like the tide), Orlando, and Jacob's Room, her first experimental novel. Side rooms tell the story of the Hogarth Press (a hand press on the dining table, where even Eliot was printed), her sister Vanessa Bell's studio (Post-Impressionist pigments and the Omega Workshops), and 46 Gordon Square on the Bloomsbury Group's Thursday evenings. At the center stands her sentence: a woman must have money and a room of her own if she is to write fiction. Single-file static page.

Add a life timeline

Beyond the rooms and the story of 46 Gordon Square, a timeline of Woolf's life is attached, so visitors can read her years in order alongside the exhibition.

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Build a Virginia Woolf memorial exhibition called Woolf's Room: a deep-red 3D room hung with her portraits and paintings, dimly lit like a gallery after hours. A special Waves exhibition displays Mrs Dalloway (a whole life written into a single day, psychological time replacing clock time), To the Lighthouse (in three parts — The Window, Time Passes, and The Lighthouse — the flash from the tower as Mrs Ramsay's spirit-light), The Waves (six voices rising and falling like the tide), Orlando, and Jacob's Room, her first experimental novel. Side rooms tell the story of the Hogarth Press (a hand press on the dining table, where even Eliot was printed), her sister Vanessa Bell's studio (Post-Impressionist pigments and the Omega Workshops), and 46 Gordon Square on the Bloomsbury Group's Thursday evenings. At the center stands her sentence: a woman must have money and a room of her own if she is to write fiction. Single-file static page.

Switch to ink-green room

The portraits, paintings, and the central sentence all stay in place; only the 3D room itself changes from deep red to ink green.

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Build a Virginia Woolf memorial exhibition called Woolf's Room: a deep-red 3D room hung with her portraits and paintings, dimly lit like a gallery after hours. A special Waves exhibition displays Mrs Dalloway (a whole life written into a single day, psychological time replacing clock time), To the Lighthouse (in three parts — The Window, Time Passes, and The Lighthouse — the flash from the tower as Mrs Ramsay's spirit-light), The Waves (six voices rising and falling like the tide), Orlando, and Jacob's Room, her first experimental novel. Side rooms tell the story of the Hogarth Press (a hand press on the dining table, where even Eliot was printed), her sister Vanessa Bell's studio (Post-Impressionist pigments and the Omega Workshops), and 46 Gordon Square on the Bloomsbury Group's Thursday evenings. At the center stands her sentence: a woman must have money and a room of her own if she is to write fiction. Single-file static page.

Add read-aloud audio

In addition to the sentence at the center of the room, a recording is added so visitors reaching the middle of the space can hear it read aloud.

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Build a Virginia Woolf memorial exhibition called Woolf's Room: a deep-red 3D room hung with her portraits and paintings, dimly lit like a gallery after hours. A special Waves exhibition displays Mrs Dalloway (a whole life written into a single day, psychological time replacing clock time), To the Lighthouse (in three parts — The Window, Time Passes, and The Lighthouse — the flash from the tower as Mrs Ramsay's spirit-light), The Waves (six voices rising and falling like the tide), Orlando, and Jacob's Room, her first experimental novel. Side rooms tell the story of the Hogarth Press (a hand press on the dining table, where even Eliot was printed), her sister Vanessa Bell's studio (Post-Impressionist pigments and the Omega Workshops), and 46 Gordon Square on the Bloomsbury Group's Thursday evenings. At the center stands her sentence: a woman must have money and a room of her own if she is to write fiction. Single-file static page.